new york (201-300)

osebje kolidža Black Mountain pogosto potovali v	New York,	kjer so se v taverni Cedar veliko družili z abstraktnimi	C
to the Present, popravljena izdaja, Abrams,	New York,	1988. (178) Glej pisanje Robin Brentano v Outside	C
Critical Record, Cambridge University Press,	New York	in Cambridge, 1990, str. 363). Ukvarjanje Caroline	C
European Art in the Era of Dissent, Abrams,	New York,	1996, str. 105. Tudi Crow, podobno kot Banesova	C
ur.), Happenings and Other Acts, Routledge,	New York	in London, 1995; Kaprowove Essays on the Blurring	C
Performance 1958, Whitney Museum of American Art,	New York;	Norton, New York in London, 1984. (180) Banes	C
Whitney Museum of American Art, New York; Norton,	New York	in London, 1984. (180) Banes, Greenwich Village	C
Language, prev. A. M. Sheridan Smith, Pantheon,	New York,	1972, str. 21, 24; slov. prevod, Arheologija	C
Mistresses: Women, Art and Ideology, Pantheon,	New York,	1981, zlasti str. 82; in Donald Preziosi, Rethinking	C
école freudienne, prev. Jacqueline Rose, Norton,	New York,	1985, str. 82; slov. prevod "Pomen falosa", prev	C
navedeno v Ellen Landau, Jackson Pollock, Abrams,	New York,	1989, str. 11, 16. (191) Na primer,08.doc-1323	C
Women: The Reinvention of Nature, Routledge,	New York,	1991; slov. prevod Opice, kiborgi in ženske:	C
On the Discursive Limits of "Sex", Routledge,	New York	in London, 1993, str. 2. Formulacija Judith Butler	C
The Warhol Sixties, Harcourt Brace Jovanovich,	New York,	1980, str. 12. (207) Glej Caroline Jones, "Andy	C
Mitch Tuchman, Painters Painting, Abbeville,	New York,	1982, str. 119. (209) Jules Barbey D'Aurevilly	C
1844), prev. Douglas Ainslie, PAJ Publications,	New York,	1988, str. 64. Tudi flâneur je po svojih pooblastilih	C
and Histories of Art, Routledge, London in	New York,	1988, zlasti str. 70. (Seveda se oddaljujem od	C
Naumann (ur.), Making Mischief: Dada Invades	New York,	Whitney Museum of American Art, New York, str	C
Invades New York, Whitney Museum of American Art,	New York,	str. 1996. (211) Ker takrat nisem mogla najti	C
prev. Hazel Barnes, Washington Square Press,	New York,	1956, str. 302).Za Sartra glej tudi analize iz	C
through the Body, Columbia University Press,	New York,	1988, str. 124. (229) Immanuel Kant, Critique	C
/ Performing the Text, Routledge, London in	New York,	1999, str. 39-55. (236) Andrew Perchuk uporablja	C
Flight from Commitment, Anchor / Doubleday,	New York,	1983, str. 30. Naslov Ehrenreichove se seveda	C
American Painting, katalog, Museum of Modern Art,	New York,	1959, str. 5; "Jackson Pollock: An Interview	C
Expressionism: The Critical Developments, Abrams,	New York;	in Albright Knox Gallery, Buffalo, 1987, str	C
Assemblage, Environments, Happenings, Abrams,	New York,	1996, str. 10. Na strani 142 se pojavi še ena	C
Other Essays, prev. Jonathan Mayne, Da Capo,	New York,	1964, zlasti str. 28. (265) Glej McEvilley,	C
Jokohama; in Abrams and Guggenheim Museum,	New York;	in Museum of Art, San Francisco, 1994, str. 84	C
Jackson Pollock: Energy Made Visible (McGraw-Hill,	New York,	1972), in Jeffrey Potter, To a Violent Grave	C
An Oral Biography of Jackson Pollock (Putnam,	New York,	1985).Damon Willick razpravlja o teh knjigah	C
Redefining Art 1958, American Federation of Arts,	New York,	1994, str. 77. (291) David Bourdon, "Fling, Dribble	C
Criticism: Art, Identity, Action, HarperCollins,	New York,	1994, str. 33. (294) Susan Krane, Lynda Benglis	C
Movement of the 1970s, History and Impact, Abrams,	New York,	1994. Benglisova je bila konec 60. in na začetku	C
Intermixa, "New Artists, New Tapes, Special Series" (	New York,	1995). (300) Razmerje med feministično prakso	C
Selected Feminist Essays on Art, New Press,	New York,	1995, str. 3; in Mira Schor, "Backlash and Appropriation	C
Question of Male Feminist Criticism, Routledge,	New York	in London, 1990, str. 202. (304) Tako Butlerjeva	C
Cambridge in London; New Museum of Contemporary Art,	New York,	1990, str. 9, 10. Ferguson sicer piše izključno	C
On the Discursive Limits of "Sex", Routledge,	New York	in London, 1993, str. 13, 17. (311) Razred in	C
azione al corpo come testo, Out of London Press,	New York,	1975; Judith Russi Kirshner, Vito Acconci, A	C
1980; in Kate Linker, Vito Acconci, Rizzoli,	New York,	1994. Najpomembnejši vir o teh zgodnjih delih	C
Rieff (ur.), Therapy and Technique, Collier,	New York,	1963, str. 114, 112; slov. prevod "O dinamiki	C
Marcel Duchamp, Cambridge University Press,	New York	in Cambridge, 1994, str. 113. (314) Vito Acconci	C
Unmarked: The Politics of Performance, Routledge,	New York	in London, 1993, str. 151. (321) Acconci v Cindy	C
of Concepts of Pollution and Taboo, Praeger,	New York	in Washington, 1966, str. 121. Douglasova preučuje	C
Feminism and the Subversion of Identity, Routledge,	New York	in London, 1990. (330) Sobchack, Address of the	C
Battcock (ur.), Minimal Art: An Anthology, Dutton,	New York,	1968, str. 116. (334) Douglas Crimp, "Pictures	C
Representation, New Museum of Contemporary Art,	New York;	in Godine, Boston, 1984, str. 176; Maurice Berger	C
Morris, Minimalism, and 1960s, Harper and Row,	New York,	1989, str. 10. Če je Crimpova razprava pomembna	C
, doktorska disertacija, City University of	New York,	1992, str. 323. Kot sem omenila, o Friedovi trditvi	C
/ Performing the Text, Routledge, London in	New York,	1999, str. 39-55. (335) Vez med body artom in	C
Vogel, Film as a Subversive Art, Random House,	New York,	1974, str. 252. In naposled, mizoginija, ki je	C
Criticism: Art / Identity / Action, HarperCollins,	New York,	1994, zlasti str. 29. (346) W. J. T. Mitchell	C
The Mind / Body Problem, Guggenheim Museum,	New York,	1994, str. 73. (347) Uvodnik, ki so ga napisali	C
Psychoanalysis, prev. Donald Nicholson Smith, Norton,	New York	in London, 1973, str. 255. Za kritiko in razširitev	C
Question of Male Feminist Criticism, Routledge,	New York	in London, 1990, str. 190; Klaus Theweleit, Object	C
Second Sex (1949), prev. H. M. Parshey, Knopf,	New York,	1952, str. xvi, 60, 233; slov. prevod Drugi spol	C
Écrits: A selection, prev. Alan Sheridan, Norton,	New York	in London, 1977, str. 1; slov. prevod, "Zrcalni	C
prev. Hazel E. Barnes, Washington Square Press,	New York,	1956, str. 355. (360) Lacan, "The Eye and the	C
Analysis (1973), prev. Alan Sheridan, Norton,	New York	and London, 1981, str. 71; slov. prevod, "Shiza	C
Music-Text, prev. Stephen Heath, Hill and Wang,	New York,	1977, str. 44. "Zrcalna vrnitev" je duchampovski	C
), The Writings of Marcel Duchamp, Da Capo,	New York,	1973, zlasti str. 65, 91, 94. (366) Craig Dworkin	C
through the Body, Columbia University Press,	New York,	1988, str. 124. (372) Simone de Beauvoir je posebej	C
1945), prev. Colin Smith, Humanities Press,	New York,	1962, str. 102. (376) Razprava Kraussove o načinu	C
Introduction, prev. Robert Hurley, Vintage,	New York,	1980, str. 93. (384) Acconci, "Trademarks", v	C
Sexuality, prev. James Strachey, Basic Books,	New York,	1962, str. 23; slov. prevod, "Seksualne aberacije	C
Sexuality and the Psychology of Love, Macmillan,	New York,	1963, str. 126; slov. prevod, "Otrok je tepen	C
Beigel in Gertrud M. Kurth, Farrar, Straus,	New York,	1941, str. 163. (401) Gilles Deleuze, "Coldnes	C
"Coldnes and Cruelty", v: Masochism, Zone,	New York,	1989, str. 22; slov. prevod, "Hlad in krutost	C
Mistresses: Women, Art, and Ideology, Pantheon,	New York,	1981, str. 82. (431) Navedeno v Kirshner, Vito	C
Catholic Tastes, Whitney Museum of American Art,	New York,	1993. Kelley iz Los Angelesa, kjer je Paul McCarthy	C
Male Subjectivity at the Margins, Routledge,	New York	in London, 1992, str. 264. (449) To je Lacanov	C
Criticism: Art, Identity, Action, HarperCollins,	New York,	1994; "Interpreting Feminist Bodies: The Unframeability	C
Artwork, Cambridge University Press, Cambridge in	New York,	1996; "Intra-Venus and Hannah Wilke's Feminist	C
Venus / Hannah Wilke, Ronald Feldman Gallery,	New York,	1995; in "Pleasures of the Flesh: Feminism and	C
Through the Body, Columbia University Press,	New York,	1988, str. 124. (458) Laura Mulvey, "Visual Pleasure	C
On the Discursive Limits of "Sex", Routledge,	New York	in London, 1993, str. 13, 10. (461) Če se ne	C
Trinh T. Minh-ha, Framer Framed, Routledge,	New York	in London, 1992, str. 78. (464) Wilke, "Stand	C
1945), prev. Colin Smith, Humanities Press,	New York,	1962, str. 102. (473) Originalna razstava v P	C
Center: Feminist Essays on Women's Art, Dutton,	New York,	1976, str. 126. (475) Navedki iz tega dela so	C
Photography, prev. Richard Howard, Hill & Wang,	New York,	1981; brez navedbe strani. Slov. prevod, Camera	C
Her Limits, New Museum of Contemporary Art,	New York,	str. 11. Schneemannova in druge feministke so	C
Piper: Reflections 1967, Alternative Museum,	New York,	1987, str. 13. (490) mulirati-1723  kunsthall	C
Movement of the 1970s, History and Impact, Abrams,	New York,	1994, str. 194. (491) Piperjeva opisuje svojo	C
Unmarked: The Politics of Performance, Routledge,	New York	in London, 1993, str. 13. (496) Acconci je v	C
opis dela v Kate Linker, Vito Acconci, Rizzoli,	New York,	1994, str. 58; performans ni bil posnet na film	C
American Art, Whitney Museum of American Art,	New York,	1993, str. 43. (500) Lynda Nead, The Female Nude	C
Nude: Art, Obscenity and Sexuality, Routledge,	New York	in London, 1992, str. 6. (501) Donald Goddard	C
510) Barbara Schwartz, "Art: Hannah Wilke", v:	New York	Woman, št. 1, 1973, str. 55; Lil Picard, "Hannah	C
The Second Sex, prev. H. M. Parshley, Knopf,	New York,	1952, str. 592; slov. prevod, Drugi spol, prev	C
The Making and Unmaking of Modern Art, Verso,	New York	in London, 1994, str. 230. (521) Lucy Lippard	C
Marcel Duchamp, Cambridge University Press,	New York	in Cambridge, 1994, str. 191. (527) Glej knjigo	C
1973), prev. Richard Miller, Hill and Wang,	New York,	1975. V delu trdi, da levica zavrača užitek zaradi	C
Morris, Minimalism, and the 1960s, Harper & Row,	New York,	1989, zlasti str. 74, 161. Tudi delo francoskih	C
Cecile Lindsay et al., Columbia University Press,	New York,	1989, str. 32, 33. (562) Prav tam, str. 32.	C
Illness as Metaphor, Farrar, Straus and Giroux,	New York,	1977, str. 48. (565) Ta podoba še posebno nazorno	C
Psycho-Analysis, prev. Alan Sheridan, Norton,	New York,	1981, str. 77, 84; slov. prevod, "Shiza očesa	C
Turner, The Body and Society, Basil Blackwell,	New York	in Oxford, 1989, str. 7. (571) To so izrazi Rosalind	C
Fou: Photography and Surrealism, Abbeville,	New York,	1984, str. 64, 65. Ni naključno, da Kraussova	C
Glej Krauss, Cindy Sherman 1975, Rizzoli,	New York,	1993, zlasti str. 89. (572) S takšno prikrojitvijo	C
prev. Hazel Barnes, Washington Square Press,	New York,	1956. (576) Za "presečiščnost" rase in spola	C

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