nova beseda iz Slovenije
New Work. Tiskar (Slovenian Franciscan Press, | New York). | Tednik. | C |
zmislo Neihrer naš krao, I h Konzuli se v | New York | je včasi podao, Ar vogrskoj kroni naravnost preti | C |
severovzhodni ameriški obali, predvsem v državah | New York, | New Jersey in Pensilvanija.Že od samega začetka | C |
uredništvo začasno preselili iz Bethlehema v | New York | City v New Yorku. V zvezi s Svobodno besedo naj | C |
prekmurski duhovnik Štefan Smodiš, ki je potem šel v | New York | City v New Yorku.Slovenska bogoslužja so sčasoma | C |
je zanje veliko trudil in pogosto prihajal v | New York | prosit pomoči. 15/. Skupaj s tem človekom je | C |
sicer nameraval umakniti iz neprijazne sredine v | New York, | toda župljanom je hotel dokazati, kdo prestavlja | C |
prestavljen v slovensko župnijo sv. Cirila in Metoda v | New York | City v New Yorku.Od tam se je za krajši čas vrnil | C |
predvsem ob vzhodni ameriški obali, v državah | New York, | New Jersey, Connecticut in Pensilvanija. Najmočnejšo | C |
Bethlehem v Pensilvaniji, 1928. Ave Maria, | New York | City v New Yorku, 1913, 1914. Dober pajdás Kalendári | C |
1996. Arnez A. John, Slovenci v New Yorku. | New York: | Studia Slovenica, 1966. Arnez A. John, Slovenian | C |
John, Slovenian Community in Bridgeport, Conn. | New York - | Washington: Studia Slovenica, 1971. Bajec Jože | C |
1930. Crichton Michael, Eaters of the Dead. | New York: | Alfred A. Knopf, 1976. Čačinovič Rudi, Časi preizkuš | C |
Hudson S. Winthrop, Religion in America. | New York: | Charles Scribner's Sons, 1981. Janežič Stanko | C |
Narodni Adresar Hrvata - Slovenaca - Srba. | New York: | samozaložba, 1937. Naši na tujih tleh. | C |
1936. Stiegler A. Ernest, So shall They Reap. | New York, | Washington, Chicago, Hollywood, Toronto: Vantage | C |
Fremont, United States History (Revised Edition). | New York, | Cincinnati, Chicago, Atlanta, Dallas, San Francisco | C |
Society for Slovene Studies), leto 6, št. 1-2. | New York, | N. Y., 1984, str. 203-226. Kuzmič Franc, "Literarni | C |
Memory, Oxford Univesity Press, London, Oxford, | New York, | 1975, str. 170. Avtorji se kar naprej pritožujejo | C |
Niall Ferguson, The Pity of War, Basic Books, | New York | 1999. Z izčrpnimi odgovori na ta vprašanja pa | C |
with their Prefaces, Dodd, Mead & Company, | New york | 1974, str. 178-199. In ženske? | C |
Taylor, The First World war, Perigree Book, | New York | 1972, str. 89. Toda vojna ni potekala tako, | C |
uvodu v The First World War (Perigee Book, | New York | 1972) ugotavlja, da so tokrat »politiki postali | C |
Keegan, A history of Warfare, Vintage Books, | New York | 1993, str. 10. V prvi vrst je bila to posledica | C |
Keegan, A History of Warfare, Vintage Books, | New York | 1993, str. 5. Von Clausewitz, ki je bil velik | C |
Fussell, The Great War and Modern Memory, | New York | 1975, str. 21. Tudi v Slovencu po dobrem letu | C |
American Trups in World War I, Da Capo Press, | New York, | 1974, str. XII. Avtorja v svoji knjigi med drugim | C |
Experiences in the First World War, Da Capo Press, | New York, | 1995, druga knjiga, str. 113. Njihovi belski | C |
an Army: The Draft Comes to Modern America, | New York | 1987, tukaj povzeto po rokopisu še neobjavljene | C |
verjetno ne bi tako razveselil.* Če gre verjeti | New York | Timesu, bi dobrih 82 let po vstopu v prvo svetovno | C |
Great War and Modern Memory, London, Oxford, | New York | 1975. Gal, Joseph, In Death's Fortress, East | C |
, Peaceless Europe, Cassell & Co, London, | New York, | Toronto, Melburne 1922. Omissi, David (ur.), | C |
Experience in theFirst World War, Da Capo Press, | New York | 1995. Petelinšek, Cvetka, »Kaj usoda, kaj | C |
J. P., The First World War, Perigee Book, | New York | 1972. Urlich, Bernd, 'Militärgeschichte von unten | C |
Severnoameriški kongres o Latinski Ameriki), Newsletter, | New York, | III, 4, julij-avgust 1969, str. 1-11. Namen, | C |
Diane Daisy Miller, The Story of Walt Disney, | New York, | 1956, str. 139 in sledeče. * Ponatisnjeno v David | C |
mir" (iz Richard Schickel, The Disney Version, | New York, | 1968, str. 303).San Bernardo je delavsko predmestje | C |
901 x 175 cm, Galerija Albright-Knox, Buffalo, | New York, | Michael Goldberg, Lynda Benglis in Paula Cooper | C |
Vagina Painting), 1965. Perpetual Fluxfest, | New York. | Fotografija: George Maciunas, s privoljenjem | C |
prikazujeta razdor, ki ga je v modernizmu (film / | New York) | povzročil postmodernizem (video / Los Angeles | C |
70. in v 80. letih (katerega središče je bil | New York). | Kot sem nakazala, je glavni tok umetnostnega | C |
prev. Mary Caroline Richards, Grove Weidenfeld, | New York, | 1958, str. 96, poudarke dodala avtorica; slov | C |
The Explicit Body in Performance, Routledge, | New York, | 1997; žal sem za to knjigo izvedela šele tedaj | C |
Her Limits, New Museum of Contemporary Art, | New York, | 1996, str. 22. (7) Schneemannova je neposredno | C |
Criticism: Art, Identity, Action, HarperCollins, | New York, | 1994, str. 31. Rebecca Schneider razpravlja o | C |
Art, Cambridge University Press, Cambridge in | New York, | 1996, str. 223. (12) Iz "Carolee Schneemann" | C |
Center for International Contemporary Arts, | New York, | 1989, str. 24; in novejši članek Calvina Tomkinsa | C |
the Edge: A Doyenne of Disturbance Returns to | New York", | v: New Yorker, letnik 72, št. 30, 7. oktober | C |
Duchamp, Cambridge University Press, Cambridge in | New York, | 1994, str. 208. (27) Upam, da sem se tozadevno | C |
Explorations in Social Theory, Basil Blackwell, | New York | in Oxford, 1984, str. 8. (34) Elizabeth Grosz | C |
Performance Art: From Futurism to the Present, Abrams, | New York, | 1988; in odlični katalog Jorgeja Glusberga (El | C |
Unmarked: The Politics of Performance, Routledge, | New York | in London, 1993, str. 165. Phelanova uporablja | C |
Appearances: Ideology and Performance, Routledge, | New York | in London, 1992; Marvin Carlson, Performance | C |
Performance: A Critical Introduction, Routledge, | New York | in London, 1996; C. Carr, On Edge: Performance | C |
Postmodernism and Performance, St. Martin's, | New York, | 1994; Peggy Phelan, Unmarked: The Politics of | C |
Unmarked: The Politics of Performance, Routledge, | New York | in London, 1993; Janelle G. Reinalt in Joseph | C |
Investigation of Its Sites" (City University of | New York, | 1992) je edini tekst, ki ga poznam, ki se na | C |
Representation, New Museum of Contemporary Art, | New York; | Godine, Boston, 1984, str. 95. (55) Glej tudi | C |
Center: Feminist Essays on Women's Art, Dutton, | New York, | 1976; in Lucy Lippard, The Pink Glass Swan: Selected | C |
Selected Feminist Essays on Art, New Press, | New York, | 1995. (62) Za razvojem teh teoretičnih modelov | C |
and the Histories of Art, Routledge, London in | New York, | 1988, str. 155; ter Griselda Pollock in Rozsika | C |
Feminism: Art and Women's Movement 1970, Pandora, | New York, | 1987. (63) O paradigmi "proti užitku" pri prevladujo | C |
Criticisms: Art / Identity / Action, HarperCollins, | New York, | 1994; in v neobjavljeni razpravi "Pleasures of | C |
Explorations in Social Theory, Basil Blackwell, | New York | in Oxford, 1984. (64) Griselda Pollock, "Screening | C |
The "Silueta" Series, 1973, Galerie Lelong, | New York, | 1991. Kellyjin projekt je dokumentiran v Mary | C |
Kelly, Interim, New Museum of Contemporary Art, | New York, | 1990).Za Kellyjino delo je značilno vključevanje | C |
Retrospective, New Museum of Contemporary Art, | New York, | 1987, str. 34. Rebecca Schneider o Mendietinem | C |
The Explicit Body in Performance, Routledge, | New York | in London, 1997, str. 119. (70) Ana Mendieta | C |
New Art in a Multicultural America, Pantheon, | New York, | 1990. (76) Owens, "The Allegorical Impulse: Toward | C |
Visibly Female: Feminism and Art Today, Universe, | New York, | 1988, str. 228; in mojo razpravo "Feminist Heresies | C |
Thought, prev. Albert Hofstadter, Harper & Row, | New York, | str. 166; slov. prevod Reč, prev. Vitko Kogoj | C |
Dialectic of Enlightenment, Herder and Herder, | New York, | 1972, str. 120. Glej tudi Roland Barthes, The | C |
the Text, prev. Richard Miller, Hill and Wang, | New York, | 1975, str. 22; in Pierre Bourdieu, Distinction | C |
Bible: A Retrospective 1972, HarperCollins, | New York, | 1994, str. 109; moj poudarek. (83) Jed Perl, | C |
Music-Text, prev. Stephen Heath, Hill and Wang, | New York, | 1977, str. 44. Rosalind Krauss razpravlja o tem | C |
The Performing Self (Oxford University Press, | New York, | 1971), študijo sodobne ameriške književnosti | C |
psihologa Kurta Lewina v Vito Acconci (Rizzoli, | New York, | 1994).Te biografske / bibliografske povezave | C |
Robert Morris, Minimalism, and the 1960s (Icon, | New York, | 1989, str. 11, 12, 65).Vezi med fenomenologijo | C |
1945), prev. Colin Smith, Humanities Press, | New York, | 1962, str. 146, 161. (113) Glej Alexandre Kojève | C |
prev. Hazel Barnes, Washington Square Press, | New York, | 1956, "Being-for-Others", str. 301. Za Sartrovo | C |
Duchamp, Cambridge University Press, Cambridge in | New York, | 1994, str. 195. (123) Lacan, "The Function and | C |
Selection (1966), prev. Alan Sheridan, Norton, | New York | in London, 1977, str. 86; slov. prevod "Funkcija | C |
Psychoanalysis (1973), prev. Alan Sheridan, Norton, | New York | in London, 1981, str. 230; slov. prevod, "O subjektu | C |
(1949), prev. in ur. H. M. Parshley, Knopf, | New York, | 1952; slov. prevod Drugi spol, prev. Suzana Koncut | C |
Hayward, Sartre: A Life, Simon and Schuster, | New York, | 1987, str. 309. Glej tudi trpko besedilo Simone | C |
Feminism and the Subversion of Identity (Routledge, | New York | in London, 1990) in Bodies That Matter: On the | C |
On the Discursive Limits of "Sex" (Routledge, | New York | in London, 1993).Njeno branje de Beauvoirjeve | C |
Dreams and the Flight from Commitment, Anchor, | New York, | 1983, str. 32, 33. David Riesman je napisal knjigo | C |
Criticism: Art, Identity, Action, HarperCollins, | New York, | 1994, str. 152. (145) V razpravi "Dis / Playing | C |
an Age of Diminishing Expectations, Norton, | New York, | 1979, str. 158. Pozneje, ko kot zgled navaja | C |
Contemporary Cultures, New Museum of Contemporary Art, | New York; | MIT Press, Cambridge in London, 1990, str. 282 | C |
Psychoanalysis, prev. Donald Nicholson Smith, Norton, | New York, | 1973, str. 255. (157) Glej mojo razpravo "Interpreti | C |
Art, Cambridge University Press, Cambridge in | New York, | 1996. (158) Robert Goodnough, "Pollock Paints | C |
Painting, fotografije Hans Namuth, Agrinde, | New York, | 1978, b. p.Med razprave iz te serije, ki prikazujejo | C |
umetniškega filma v Woodstocku v zvezni državi | New York. | Namuth je takole pisal o svoji želji, da bi posnel | C |
Minimal Art: A Critical Anthology, Dutton, | New York, | 1968, str. 116. (166) Allan Kaprow, "The Legacy | C |
Thought, prev. Albert Hofstadter, Harper & Row, | New York, | 1971, str. 157. (172) Simone de Beuavoir, The | C |
Second Sex (1949), prev. H. M. Parshley, Knopf, | New York, | 1952, str. 33; slov. prevod, Drugi spol, prev | C |
Marcel Duchamp (Cambridge University Press, | New York | in Cambridge, 1994) obsežno obravnava problematiko | C |
of Contemporary Art, Los Angeles; Abbeville, | New York, | 1986, str. 162. Čeprav so standardne zgodovinske | C |
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Strežnik Inštituta za slov. jezik Fr. Ramovša ZRC SAZU | Iskalnik: NEVA |