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Amelia Jones: Body art, poved v sobesedilu:
(51) M. Bénamou je citiran v Régis Durand, "Une nouvelle théâtricalité: La performance", v: Reveue d'études américaines, št. 10, 1980; glej tudi M. Bénamou in Charles Caramello (ur.), Performance in Postmodern Culture, Coda, Madison, 1977. Johannes Birringer razpravlja o dejstvu, da "performans dandanes (...) velja za 'postmodernega'", v Theatre, Theory, Postmodernism, Indiana University Press, Bloomington in Indianapolis, 1991, str. 47. O povezavi med performansom in postmodernizmom glej tudi Philip Auslander, Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance, University of Michigan Press, Ann Arbor, 1994; Sally Banes, Greenwich Village 1963: Avant-Garde Performance and the Effervescent Body, Duke University Press, Durham, 1993; Herbert Blau, To All Appearances: Ideology and Performance, Routledge, New York in London, 1992; Marvin Carlson, Performance: A Critical Introduction, Routledge, New York in
London, 1996; C. Carr, On Edge: Performance at the End of the Twentieth Century, Wesleyan / New England Presses, Hanover in London, 1993; Sue-Ellen Case (ur.), Performing Feminisms: Feminist Critical Theory and Theatre, Johns Hopkins University Press, Baltimore, 1990; Sue-Ellen Case, Philip Brett in Susan Leigh Foster, Cruising the Performative: Interventions into Representation of Ethnicity, Nationality, and Sexuality, Indiana University Press, Bloomington in Indianapolis, 1995; Jill Dolan, Presence and Desire: Essays on Gender, Sexuality, and Performance, University of Michigan Press, Ann Arbor, 1993; Lynda Hart in Peggy Phelan (ur.), Acting Out: Feminist Performance, University of Michigan Press, Ann Arbor, 1993; Nick Kaye, Postmodernism and Performance, St. Martin's, New York, 1994; Peggy Phelan, Unmarked: The Politics of Performance, Routledge, New York in London, 1993; Janelle G. Reinalt in Joseph R. Roach (ur.), Critical Theory and Performance, University of Michigan
Press, Ann Arbor, 1992; in Henry Sayre, The Object of Performance: The American Avant-Garde Since 1970, University of Chicago Press, Chicago in London, 1989. Izmed teh besedil se samo Sayrejevo, Carrovo in Phelanino obširno ukvarjajo s performansom v likovnoumetnostnem, in ne gledališkem kontekstu.
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