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Emil Hrvatin, ur.: Teorije sodobnega plesa, Maska, 2001, poved v sobesedilu:
*Muzak, zaščiteno ime za posneto glasbo, ki ima vlogo glasbene kulise, ki jo prek radia ali telefona prenašajo v vgrajene glasbene naprave v uradih, restavracijah, čakalnicah ... (op. prev.).
(1) Tovrstna literatura, ki se je pretežno navdihovala pri delu Michela Foucaulta, je doživljala razcvet v osemdesetih letih 20. stoletja: The History of Sexuality: Volume 1 An Introduction, Vintage, New York, 1980; The Use of Pleasure: The History of Sexuality Volume 2, Vintage, New York, 1986; The Care of the Self: The History of Sexuality Volume 3, Vintage, New York, 1988. Med reprezentativna dela spadata še The Female Body in Western Culture: Contemporary Perspectives, ur. Susan Robin Suleiman, Harvard University Press, Cambridge, 1986; in The Making of the Modern Body: Sexuality and Society in the Nineteenth Century, ur. Catherine Gallagher in Thomas Laqueur, University of California Press, Berkeley, 1987. K literaturi o plesu je
prispevalo delo Judith Lynne Hanne Dance, Sex and Gender: Signs of Identity, Dominance, Defiance and Desire, University of Chicago Press, Chicago, 1988.
(2) Podrobnejše tolmačenje pogojev politike telesa je mogoče najti v mojem delu Performance as Political Act: The Embodied Self, Greenwood Press, Westport, 1990.
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