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Amelia Jones: Body art, poved v sobesedilu:
Difference ... Other", v: Deconstruction in Context, str. 10, 18; in Kearney, uvod v Dialogues with Contemporary Continental Thinkers, Manchester University Press, in Manchester, 1984, str. 1. Za fenomenološko kritiko kartezijanskega subjekta glej tudi Carolyn, The Self and Its Pleasures: Bataille, Lacan, and the History of the Decentred Subject, Cornell University Press, Ithaca, 1992; in Jay, Downcast Eyes, zlasti poglavje "Sartre, Merleau-Ponty, and the Search for a New Onthology of Sight", str. 263.
(114) Na ta del razprave je vplivala fenomenološka obravnava filma in upodabljajočih umetnosti; glej, na primer, F. Kaelin, and Existence: A Phenomenological Aesthetics, Bucknell University Press, Lewisburg, 1970; Sobchack, The Address of the Eye; A. (ur.), The Merleau-Ponty Aesthetics Reader: Philosophy and Painting, Northwestern University Press, Evanston, 1993; in Dufrenne, The Phenomenology of Aesthetic Experience (1953), prev. Edward S. Casey et al.,
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