nova beseda iz Slovenije
tirata na sredo izbice). KOKALJ (kriči): | As, | ass, asssa, TONE Nič nikar ne cvili.Saj Pepca | A |
ustnice, tresla glavo, pogledovala Kocmurko. »Pik | as, | tref sedmica ‒ izkaže se resnica ...Gospa Kocmurjeva | A |
Kocmurjeva, podedovali boste! Poglejte: pik | as | smrt, tref sedmica ‒ dediščina!« Kocmurjeva | A |
misli ji je hkrati švignilo skozi glavo ... »Pik | as, | tref sedmica ... « je nadaljevala pritlikava vedeževalka | A |
na slepi strani vse od prve do zadnje. Srčni | as | je bil na sredi prelomljen; tega je poznala | A |
izgubila desetko, ker je ležal vrhu talona srčni | as! | “... | A |
kako so mi tekle kdaj prej. Zdaj mi pride takoj | as, | potlej figura in spet as.Nazadnje bom res moral | A |
Zdaj mi pride takoj as, potlej figura in spet | as. | Nazadnje bom res moral še za natakarja.« | A |
ivljenju, trnje na grobu. . / . / stran 12 . / Č | as | celi vse rane. ◆ Čas ima najbolj ostro dleto | A |
Kontaktni strup? Pikov | as? | Bili sta dve vstopnici. | A |
“Jasno, mejduš. Indarsingh, nekdanji | as | pri debatah na kolidžu.” Svami in drugi so stali | A |
Culture. In Lublyana were seven large bookshops ( | as | large as most of the hardware, drygoods, and | B |
Lublyana were seven large bookshops (as large | as | most of the hardware, drygoods, and drugstores | B |
Translation in the Promotion of Foreign Literature | as | a Part of International Intellectual Cooperation | B |
sladka vada zapeljivca, ki je vzdignil poslednji | as | ter ga udaril na mizo.Oj, stal je za hrbtom | B |
ravičnika! . / . / stran 104 . / Enkrat si udaril | as, | dovolj je!Oskrunil sem svojo dušo, v osmem činovnem | B |
delo, zadovolji s samo šestimi „besedicami”: i, | as, | is, os, us, u, ki si jih lahko popolnoma osvojite | B |
etc., 1994. Agazzi, Evandro: ”The Universe | as | a scientific and philosophical problem“, v: | B |
is (mi parol′is = govoril sem); za sedanjost - | as | (li parol′as = on govori); za prihodnost -os | B |
teoretika (The Political Unconscious: Narrative | as | a Socially Symbolic Act). Temeljna značilnost | C |
naracijo in njeno formo (podnaslov je Narrative | as | a Socially Symbolic Act, Pripovedovanje kot | C |
Auswärtige Staaten - Tirol, Literalie Nr. 8 (BayHStA, | AS | Tirol, Lit. 8).V njem so zajeti komornikovi | C |
Staaten - Tirol, Literalie Nr. 18 (BayHStA, | AS | Tirol, Lit. 8).Zajema obračune dvornih, regionalnih | C |
kjer je bil shranjen pod signaturo Urbar 275/1 ( | as | 1, Vic. a., šk. 101 ex TLA, U 275/1).Obsega | C |
Izvirnik je shranjen na istem mestu kot RDK 6 ( | as | 1, Vic. a., šk. 101 ex TLA, U 276/1) in obsega | C |
bil vrnjen iz Deželnega arhiva v Innsbrucku ( | AS | 1,Vic a., šk. 123, ex TLA, U 277/1).Papirnati | C |
ton corps, misli samo na svoje telo, ce que tu | as | d'vme, ne mérite pas en effet d'en etre distingué | C |
Quincey v svojem sijajnem eseju Murder Considered | as | One of the Fine Arts iz leta 1827 -, po kateri | C |
De Quincey, Thomas. On Murder Considered | as | One of the Fine Arts & On War. London: The Doppler | C |
Yovel, Yirmiyahu, ur. Desire and Affect: Spinoza | as | Psychologist. New York: Little Room Press, 1999 | C |
Merging of Two Worlds: Oral and Written Poetry | as | Carriers of Ancient Values prav tako ukvarjal | C |
Umetnikov mladostni portret (A Portrait of an Artist | as | a Young Man), v Dublinčane (Dubliners) in v | C |
članku The Bosnian Oral Ballad "Hasanaginica" | as | Pretekst for Literary Text.Avtorica izhaja iz | C |
intertekstualnostjo v folklori, v svojem članku Text | as | Interpretation: Mark and After ugotavlja, da | C |
zbiralca in mecena dr. Josipa Nikolaja Sadnikarja. | AS, | Reambulančni kataster, katastrska občina Kamnik | C |
Potok in Šmarca. - Stiasny, Kamnik, str. 103. | AS, | KMK 1076, fasc. 3, dopis gospodarskega odbora | C |
predstavlja kot kup gradiva ("a uniform mass | as | far as its nature and information value are | C |
predstavlja kot kup gradiva ("a uniform mass as far | as | its nature and information value are concerned | C |
Tradicija pač ni kup gradiva" ("a uniform mass | as | far as its nature and information value are | C |
pač ni kup gradiva" ("a uniform mass as far | as | its nature and information value are concerned | C |
forenzični stomatolog je bil strokovni sogovornik, | as. | mag. Irena Zupanič Pajnič, dipl. biologinja | C |
Gary Hill, Ker se vselej že dogaja (Inasmuch | As | It Is Always Already Taking Place), 1990; videoinstalacija | C |
Gary Hill, Ker se vselej že dogaja (Inasmuch | As | It Is Always Already Taking Place), 1990 James | C |
Sontag v knjigi Bolezen kot metafora (Illness | as | Metaphor) obžaluje dejstvo, da rak pogosto velja | C |
Hillovo delo Ker se vselej že dogaja (Inasmuch | As | It Is Already Taking Place), ki je bilo leta | C |
Rhetoric of the Pose: Photography and the Portrait | as | Performance", 1. poglavje, v: The Object of | C |
Horkheimer, "The Culture Industry: Enlightenment | as | Mass Deception" (1944), v: Dialectic of Enlightenment | C |
fotografijo in performans glej tudi Photography | as | Performance: Message through Object and Picture | C |
, str. 122. (138) Lacan, "The Mirror Stage | as | Formative of the Function of the I as Revealed | C |
Stage as Formative of the Function of the I | as | Revealed in the Psychoanalytic Experience", | C |
Rosalind Krauss v razpravi "Reading Photographs | as | Text" netočno trdi, da nobena druga razprava | C |
glej Barbara Rose, "Jackson Pollock: The Artist | as | Cultural Hero", v: Pollock Painting, b. p. | C |
Willicka o Pollocku, zbranim v "Jackson Pollock | as | a Critical Construction: The Author-Function | C |
razpravi "The Clothes Make the Man: The Male Artist | as | a Performative Function", v: Oxford Art Journal | C |
. (188) Rose, "Jackson Pollock: The Artist | as | Cultural Hero", b. p. (189) Prav tam. | C |
glej David James, "Andy Warhol: The Producer | as | Author", v: Allegories of Cinema: American Film | C |
Ambivalence of Rrose Sélavy and the (Male) Artist | as | 'Only the Mother of the Work'", v: Postmodernism | C |
glej Rosalind Krauss, "Reading Photographs | as | Text", b. p. (226) Greenberg, "Review of Exhibition | C |
našli v ateljeju. Glej James Roberts, "Painting | as | Performance", v: Art in America, letnik 80, | C |
razpravlja o teh knjigah v "Jackson Pollock | as | a Critical Construction". (286) Jamasakin kolaž | C |
16. Glej tudi Andreas Huyssen, "Mass Culture | as | Woman: Modernism's Other", v: After the Great | C |
1989. Za Muehlove filme glej Amos Vogel, Film | as | a Subversive Art, Random House, New York, 1974 | C |
Tozadevno je razprava Joan Riviere "Womanliness | as | a Masquerade" iz leta 1929 ključni besedilni | C |
jezika. (354) Jacques Lacan, "The Mirror Stage | as | Formative of the Function of the I as Revealed | C |
Stage as Formative of the Function of the I | as | Revealed in psychoanalytic Experience" (1949 | C |
(374) Liza Béar, "Vito Acconci ... Fragile | as | a Sparrow, but Tough", v: Avalanche, št. 9, | C |
'The Clothes Make the Man': The Male Artist | as | a Performative Function", v: Oxford Art Journal | C |
str. 18. (453) Barbara Smith, "On the Body | as | Material", intervju s Carolee Schneemann, v | C |
Eleanor Antin, "An Autobiography of the Artist | as | Autobiographer", v: LAICA Journal, Los Angeles | C |
Carolee Schneemann: The Woman Who Uses Her Body | as | Her Art", v: Artforum, letnik 19, št. 3, november | C |
'The Clothes Make the Man': The Male Artist | as | a Performative Function", v: Oxford Art Journal | C |
1995, str. 14. (564) Susan Sontag, Illness | as | Metaphor, Farrar, Straus and Giroux, New York | C |
Politics, str. 126. (578) Sontag, Illness | as | Metaphor, str. 48, 82. (579) Wilkejeva v filmskem | C |
1992; navedeno v Simon Penny, "Virtual Reality | as | the Completion of the Enlightenment Project | C |
str. 47. (613) Simon Penny, "Virtual Reality | as | the Completion of the Enlightenment Project | C |
v zgodnejših hepeningih (glej "The Audience | as | Performers", str. 154); na tem mestu dodajam | C |
Human Age of Mechanical Reincarnation: Body | as | Ready (to be Re-) Made", v: Griselda Pollock | C |
Press, Pittsburgh, 1987. FRANKO, Mark, Dance | as | Text. Ideologies of the Baroque Body, Cambridge | C |
Berkeley, 1993. MARTIN, Randy, Performance | as | Political Act: The Embodied Self, Bergin&Garvey | C |
York, 1998. COHEN, Selma Jean (ur.), Dance | as | a Theatre Art. Source Reading in Dance History | C |
Jacqueline (ur.), Bodies of the Text, Dance | as | Theory, Literature as Dance, Rutgers University | C |
Bodies of the Text, Dance as Theory, Literature | as | Dance, Rutgers University Press, New Brunswick | C |
oreografirala del predstave Dancing to Good Bands ... | As | Revealing as Self Portraits (1982) tako, da | C |
predstave Dancing to Good Bands ... As Revealing | as | Self Portraits (1982) tako, da je kot partituro | C |
4 (zima 1988), in Randy Martin, Performance | as | Political Act: The Embodied Self, Bergin & Garvey | C |
nastopa v New Yorku. Je avtor dela Performance | as | Political Act, prav zdaj pa piše knjigo o gledališču | C |
telesa je mogoče najti v mojem delu Performance | as | Political Act: The Embodied Self, Greenwood | C |
Jameson, The Political Unconscious: Narative | as | a Socially Symbolic Act, Cornell University | C |
Performance: A Journal of Feminist Theory (The Body | as | Discourse, 3. zvezek, št. 2, 1987-88), zastavlja | C |
Studious of Eloquence, and in Especial for Such | as | in Grammar Scholes Doe Reede Most Eloquent Poets | C |
Eisenstein, Elisabeth L., The Printing Press | as | an Agent of Change: Communications and Cultural | C |
Controversies over the Imitation of Cicero | as | a Model for Style and Some Phases of Their Influence | C |
Warner, Martin, ur., The Bible | as | Rhetoric: Studies in Biblical Persuasion and | C |
Milano - Sloviti smučar | as | Alberto Tomba zaradi utaje davkov v obdobju | D |
zelo težko preprečil skupno zmago. Nemški | as | se je resda prav na tej skakalnici lani okitil | D |
Francoza ironično zapisal španski športni dnevnik | As. | Gledalci so se bolj kot s tekmo zabavali z žvižgi | D |
očitno v težavah Po blamaži v Sestrieru naš | as | še vedno čaka na nove smuči Chamonix - | D |
olimpijska kolajna leta 1998,« je mladi nemški | as | hladnokrvno odgovoril na vprašanje japonske | D |
Vsi smo bili zamorjeni,« je še omenil češki | as, | čigar besede kajpak uživajo posebno veljavo | D |
neprizanesljiv je bil vodilni španski športni dnevnik | As, | ki je zapisal: »Real je zmagal, toda vedenje | D |
(leva okolica beseda(e) desna okolica kratice avtorjev kratice naslovov (vse oznake) št. povedi)
1 101 201 301 401 501 601 701 801 901 ▶ ▷
Nova poizvedba Pripombe Na vrh strani
Strežnik Inštituta za slov. jezik Fr. Ramovša ZRC SAZU | Iskalnik: NEVA |